![]() One senses that Kershner, as a director of character driven films, worked very effectively with the actors and gave them the space to develop their characters which meant plenty of choices for the director in terms of their performances. ![]() The banter between Harrison Ford and Carrie Fisher is highly effective and amusing, operating through the classical love-hate relationship. What makes this film so great though is the involving and effective way the relationships operate within the broader story. There are other characters, but whereas C3P0 and R2D2 were a central part of the story in the previous film, they are more on the sidelines. This relationship is also linked in to the main supporting character in this film, Yoda, who is fantastically well realised by the film crew and performed brilliantly by Frank Oz. The other is the more central relationship between Darth Vader and Luke Skywalker. The first is the relationship between Han Solo and Leia Organa, which is touched upon in a New Hope, but is fleshed out more in this film. The plot moves quickly, from an interesting script by Leigh Bracket and Larry Kasdan, focusing on exploring two key relationships. In addition to his wife, survivors include his son, Paul.Congratulations have to go to line producer Gary Kurtz and director Irvin Kershner in pushing the production to out-perform A New Hope, even though the consequence was a film that came in massively over budget, and almost cost Lucas his hard fought independence from the Hollywood system. His film résumé also included Meteor (1979), John Landis’ The Blues Brothers (1980), Airplane! (1980), Ken Russell’s Altered States (1980), Wolfen (1981), Paul Schrader’s Cat People (1982) and Paul Verhoeven’s RoboCop (1987), and he did lots of work for theme park rides as well. In 1980, Blalack produced the visual effects for the 13-part PBS documentary series Carl Sagan’s Cosmos: A Personal Voyage. ![]() “We discovered that building ILM from scratch during production was like jumping out of a plane and stitching up the parachute during free fall,” he said during an ILM reunion in 2017. ![]() The two then teamed with George Lucas and others to launch ILM, and he, Dykstra, John Stears, Richard Edlund and Grant McCune won the effects Academy Award for Star Wars (1977). Blalack designed and supervised the composite optical production pipeline that produced all 365 VistaVision VFX shots for the film. He had worked at Crest Digital and on Peter Davis’ Oscar-winning Vietnam documentary Hearts and Minds (1974) when he met John Dykstra during production of a doc about Douglas Trumbull’s VFX house Future General Corp. Paul Pope, Film and Television Producer, Dies at 63 ![]()
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